Musée des Beaux-Arts. GHENT. 6. Route. (3

nd the Angel; Verhagen, Presentation in the Temple (1767);
=Judgment of Solomon (a masterpiece); Vision of
; ee yrdom of St. Blasius ‘(his last work, unfinished,
ir at the age of 86). Rombouts, Justice (allegory ;
_— ae If. chiefly containing works of the 15th century.

Hie er. = 1 sc h, ae of the Cross with a dense crowd of onlookers

 
  
    

 

 

 

 

L 12
K ele
a terracotta J 10
i k ofan old man yaa =
Pir. e Hé vele

by Guido Mazzoni, I ne, 9 ‘
and a wooden sta- r ;
tuette of St. Se- - G H S a ec
b of the 1 Salon eT
Rhenish School of E A ‘ 1 5
the 15th Century.— ; miceniral i
Room Ill. R. ¢ ‘owie, D Cc B : 2 3 4
Last Judgment; P. a momen,
Brueghel the Sane vent

 

d'Entrée )\2ir

   
 
 

feast(co-

 

I P. Bri reghel ee

t Y ounger of Entree bs

the original in i Se Soe SoS?
Vienna);

 

Heemskerk, crowned with thorns between two angels; J. de
Backer (?), ih predicting to Hezekiah his recovery, with the
miracle of the sun going ten degrees backward; on the wings a
Crucifixion and the donor, Jac. del Rio, Abbot of Bandeloo; on the
outside, Raising of Lazarus, in grisaille. Adr. Key, Portrait. Fr. Pour-
bus the Elder, L winged altar-piece, with 22 scenes from the life
of Christ; on the back, to the left of the exit, a large representation
of the Last Supper.

200m IV. Jac. van Helmont, Crucifixion, G. Maes, St. Nicholas,
two large decorative paintings. — Room V. G. de Crayer, Madonna
ith the rosary; Jan van Cleef, Coronation of St. Joseph; M. d’ Hon-
oeter, Poultry; Th. Boeyermans, San Carlo Borromeo dispensing
the Sacrament to persons stricken with the plague, Vision of St. Mary
cdalen de’ Pazzi; Peter Thys, St. Sebastian receiving the martyr’s
palm from angels; Ant. van den Heuvel, Adoration of the Shepherds.
— Room VI. Rombcuts, The five senses (1632); Still-life subjects
by A. Suseni ier, Jac. van Es, and Fr. Ykens. — Room VII. Jae. Jor-
daens, Studies of heads ; ; Rubens, St. Francis receiving the Stigmata,
painted in 1632 for the "Franciscan Church at Ghent (resembling the
painting at Cologne; freely retouched); Jordaens, Christ and the
Woman taken in adultery; P. de Vos, Fox-hunt; Ph. de Champaigne,
P. Camus, Bishop of Belley and Arras. — Room VIII. Adriaen van