386 Route 43. AMSTERDAM. Ryks Museum:

(p. 375) by A. Quellin, which are much more characteristic of thes
master’s style than the marble reproductions. — In the middle:
133. H. de Keyser (?), Figure of Madness, from the Dolhuis mentionedb
at p. 403. Under glass: H. de Keyser, Model for the recumbenth
tomb-figure of William of Orange (p. 312). — The two glass-casesa
on the window side contain small Italian bronzes of the 15-46thd
cent.: 162. Cast from the wax model of Michael Angelo’s bronzes
statue of David (4502), which was taken to Blois in 1508 and after--=
wards disappeared. In the case to the right are ivory carvings::
240. G. van Opstal, Family of satyrs (relief); Fr. Bossuit, 244..
Death of Adonis, 242. Gnitar-player. In the last case are sketches
in clay (47-18th cent.). By the wall next the court, Ant. Rossellino,«
Marble portrait-head.

We next enter two rooms (Nos. 188 and 486 on the Plan)s
occupied by the Antiquarian Society (p. 377). The fine old fur-=
niture and leather hangings of these rooms date from the 17th cent. ;
they contain also a few paintings. Among the last are: 62. Viewn
of Egmond Castle (46th cent.); 166. Portrait of Burgomaster Pietere
Dirksz of Edam (1583), surnamed ‘Langebaard’. (For the ae
which leads to the rooms with Dutch Costumes, etc., see p. 387)..(

The West Court contains Plaster Casts of older works, the most¢
interesting of which are those from Dutch works of art. In the
centre is a late-Gothic oaken rood-screen, from the church of Hel—
voirt (ca. 1500). On the upper part of the W. wall is the colossalls
organ-case from the Lutheran church at Amsterdam, with wood—
carvings by Ph. Tideman. The organ-cases from Scheemda, Utrecht?
etc., are originals also. as

The Passace (340) beginning in the N. part of R. 189 (p. 385) containss
a few modern historical paintings and leads to the — .

Annexe. Room I (842). Dutch and other modern palngnee To thes
right: 4 . L. Bonnet, Fransen yan de Patte, the statesman (1879). Seconai
wan 1352. J. C. KE. Klingenberg, Market-p ‘lace in Nymwegen (1877); 37TY

A. pal Orphanage at Katwyk; 581. J. W. van Borselen, Landscapeg
(1865); I Joz. Israi Is, Portrait; 2226. 0. Springer, Stadhuis at Veerer
(1861). Tee wall: 2188. Therese Schwartze, General Piet Joubert; 9428
P. J. C. Gabriel, Landscape ; 516a. ¢ Bisschop, Young lady at a window v
287. Joz. Isradls, Veltmann, the actor; 1019. J. H. L. de Haas, Cattle (1884) (
582. B. J. Blommers, The knitter; 2547. Jan Wet Messchaert, the singera
376. D. A. C. Artz, At grandmother's; 1742. A. Neuhuys, The lovers. nouns
wall: 2186. 7 G. "Schewarize, Portrait (18 — Room II (343), with a woodem
ceiling of 1631 from Dordrecht, contains portraits of the 17th centurgl
928. Gov. Flinck, Joust van den Vondel, the poet (p. 405); 1371-1373. Phil
Koninck, Vondel; 1092. Frans Hails, John Barclay. — We ascend the steps
to Casryer IV (849), ia which are 48th cent. panes by J. B. van Moers:
(views in Turkey and scenes of Turkish life, 1727), C. Troost, J. Quinkharay
(1969. The Musician; 1755), W. Hendriks (1461. Portrait group), and othersa7
— Room V (834). Paintings of the 19th century. To the right: 1192. Chit
47. Hodges, King Louis Bonaparte (1809). Second wall: W. J. van Troostwykiy
2329. Landscape, 2331. Old gate in Amsterdam (1809); 1351. P. R. Kleyniv
Park of St. Cloud Cones 1194. C. H. Hodges, Bilderdyk, the poet (18U9)(f
Third wall: 1862. J. W. Pieneman, Colossal painting of the Battle OR WRIT
loo; in the centre is the none of Wellington with his staff and the woundec:
Prince of Orange, afierwards King William II. (painted in 1824). Fourth
wall: 2624. J. Weissenbr uch, Town-gate of Leerdam. — Room VI (346), as