Municipal Museum. AMSTERDAM. 43. Route. 403 The rooms to the right of the vestibule contain the Medico- Pharmaceutical Museum. Room I and tbe vestibule contain medical curiosities. — Room II is fitted up as the old am ‘Apothecary’s Shop of the Moor’ (1739). — Room IIL. Pharm tical Laboratory (1st half of 18th cent.). —Room1V. Insane Room from the old Dolhuis (beginning of {8th cent.), with the old apparatus for ¢ — Room V. Lying-in Room , ane a picture of yom VI. Study in the Empir Re n Bilderdyk (1756-1831). ET RECT is d n of drawings, engravings, Mr. P. van Eeghen. trated books, presented bj The following three rooms contain the National Guard Museum Historische Verzameling der Schuttery), including uniforms, weapons, and musical instruments from Holland and the Dutch E. Indies, belonging to the National Guards (Schuttery) disbanded in 4901. Amoug ctures is a large work by L. Moritz, the last cor- ey e painted in Amsterdam (4826). The > back room contains Municipal Antiquities : silver name-plates commemorating the deceased members of a guild; mode as f public build el of the Oosterdok Lock , ete. Bf. I. van Bree, Napoleon I. enter- Jam in Oct., 1814 Froor. We turn to the left and then to the right, travers- ing the anteroom, to the *Gallery of Modern Paintings, a choice collection mainly of recent Dutch works. Room I (No. 42; the numbers over the doors refer in each case to the following rooms). To the left of the coat 15. J. H, L, de Haas, Cattle (1884) ; 170. E. Witkamp, In the fields (1883); 156. H, Valkenburg, Proposal of marriage (1883); Ther. Se artze, 148a Lutheran candidates for confirmation (1894), 7. J. J. van de Sande- Bakhuyzen, Landscape ; 155. H. A. van Trigt, Norwegian christening ; 17. H. J. Haverman, The flight (4883); 5. L. Apol, River-scene in winter (1875); 3. A. Allebé, Church-goers surprized (1868); *154. A. Stengelin, Landscape by night; 139u. E. R. D. Schaap, Orchard; 46a. G. W. Deysselhoft, In the aquarium; no number, J. van Essen, Pe in the lions’ den; 8b. M. Bauer, Indian mosque; 145b. Moes, Woman of Huizen; 124b. 8. C. Bosch-Reitz, St. Ives ieee above, A, J. Derkinderen, Procession of the Miracle of Amster is a huge canvas. — Room II (41) contains recent acquis- itions, Room III (37). Paintings belonging to the city, including: Ed. Frankfort, In the synagogue; J. Th. Toorop, Portrait. Room IV (38). Borski-Sillem Collection. To the left: 91a. Oh. E. J. Jacques, Poultry-yard; 17a. C. Bisschop, Sunday in Hinde~ loopen; 101c. J. B. Madou, The secret (1849); 75a. J. P. Hasen- clever, Village-school; 89a. Joz. Israéls, Fishermen’s wives watch- ing for their husbands’ return after a storm; 102a. E. van Marcke, Cattle; 19b. D. Bles, The young mother; 91e. N. de Keyser, Weber’s last thought; 62a. J. L, Cé&Gme. Aged Jew chaffering with three Arabs; 111. E. Meissonier, Nobleman reading at a window (1863) ; 54, Sir L. Alma Tadema, "Queen Fredegonda in the death-chamber