Ist Fl., W. Part. AMSTERDAM. 43. Route. 397

ing-light; *4489. M. Hobbema, River-scene with trees; #1056. @.
Metsu, The sportsman’s booty, a room with a lady in a red velvet
dress and a gentleman just returned from the chase; *2236. Jan
Steen, Family scene; #4488. Hobbema, The water-mill, similar to
the celebrated picture in the Wallace Collection in London; #2627.
Jan Vermeer, Woman reading a letter; #4250. Pieter de Hooch, The
toilet: 793. G. Dou, The fisherman’s wife (4653). **2049. Rem-
brandt. The so-called ‘Jewish Bride’; an old man approaches a young
and richly-adorned woman as if about to embrace her. This ad-
ate work (ca. 1668) is now considered to re-
son Titus and his wife, Magdalene van Loo.
251. The country-house (a brilliantly coloured
early work), 1249. Interior (1670); *2075. J. van Ruysdael, Wood
land scene. *2246. Jan Steen, Sick girl and physician; one of
Steen’s most charming and perfect works, recalling the characters of
Moliére, beautifully drawn and boldly painted. 485. Hiob Berck-
heyde, Old Exchange at Amsterdam; 2238. Jan Steen, Merry
household (‘soo d’oude songen, soo pypen de jongen’; 1668); *1635.
J. M. Molenaer, Lady playing the spinet.
234. Jan Steen, Drunken roisterers, a coarse but clever re-
ation of a carousal, which is not without its moral.
» the gentleman and lady are sacrificing to Bacchus and Venus, the
musicié slip contemptuously out of the room and a woman steals a cloak.
Over the head of the drunken old man is seen the picture of an owl with
candles and spectacles, with the minute inscription: —
Wat baeten kaers of Bril,
‘Als den uyl niet sien en wil?
(Of what use are candles or spectacles, when the owl will not see?).

 

 

    
 
 
 

  

mirably pres
present Remb
Pieter de Hooch,

 

    

 
 
 
  

 
 

#4893. Is. van Ostade, Rustic inn; *2074. J. van Ruysdael, Mill
at Wyk near Duurstede; *628. Brekelenkam, Tailor's workshop (1661);
4917. Pieter Potter, Still-life (1646); 483, A482. G. Berckheyde,
The Flower Market and the Dam at Amsterdam, between these,
384, Jan Asselyn, Italian landscape. — *2068. Rubens, Queen Anna
Maria. consortof Louis XIII. of France; 2297. D. Teniers the Younger,
Peasant family and farm-yard; 2337. Adr. van Utrecht, Still-life
(1644); above, 1394. J. A. Kruseman, Adr. van der Hoop, founder of
the collection; 22 Teniers the Younger, Village-fair. — 4819.
A. van Ostade, The confidential conversation (4672); 4256. Sam.
van Hoogstraten, The sick lady; QUT. Phil. Wouverman, Watering
horses; 446. L. Bakhwysen, The Y at Amsterdam; 548. F. Bol, Ad-
miral de Ruyter (1667). *2446. A. van de Velde, Landscape, the
painter with his wife and children in the foreground, and a waggon,
shepherd, and flock in the background, in beautiful evening-light
(4667). 41024. Jan Hackaert, Landscape; 2216. H. M. Sorgh, Fish-
market; 2032. L. Verschuier, Sea-piece. 797. G. Dou, Hermit, a
masterpiece of miniature painting; we can almost count the hairs
and wrinkles of the hermit in this little picture, only 4 ft. high
(1664). 444. L. Bakhwysen, The Haarlemmer Meer; 2697. HE. de