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Musée Moderne. BRUSSELS. 10. Route. 121
Room X. Water-colours and drawings by Fel. Rops(43. ‘Caught!’
AX, Parisina), H. Cassiers, J. B. Madou, *Ch. de Groux (44. The
toper), Em. Wauters, Fern. Khnopff (22. Tennis-players), C. Meunier
(40. Miners entering the mine, 39. Melancholy), and others. Pla-
quettes by Roty and Charpentier. — Adjoining is a cabinet con-
taining Chinese paintings. — The fine panelling and chimney-piece
should be noticed. —The windows command a good view of the S.
part of the lower town.
Room XI. To the left: 512. Verheyden, Portrait of Meunier;
above, 32. H. Bource, Evil tic ; 127. A. de Vriendt, Christmas
carol; 56. J. Th. Coosemans, The ‘Chemin des Artistes’ at Barbizon;
A. de Vriendt, 126. Excommunication of Bouchard d’Avyesnes on
account of his interdicted marriage with Margaret of Flanders in 1245
(1877), 125. The citizens of Ghent doing homage at the cradle of
Charles V. (1886); 79. H. de Braekeleer, Spinner; 48. P. J. Clays,
Calm on the Scheldt (1866); above, 411. A. Verwée, Cattle at pasture
(4888).
Room XII. To the left: 141. Th. Fourmois, Mill (1851); H. de
eleer, 78. The geographer, 81. The Waterhuis at Antwerp
(p. 203); between these, 413. A. Verwée, Mouth of the Scheldt;
340. J. Stevens, Dog before a mirror; 30. H. Boulenger, Silvan land-
scape (1865); *47. P. J. Clays, Roads of Antwerp (1869); Alf. Ste-
vens, 329. Portrait of a lady (‘the lady-bird’; 1880), 330. Widow
and her children, 334. In the studio, 328. Lady in a pink dress;
“28. H. Boulenger, View of Dinant (1870).
Room XII. To the left: 406. Th. Verstraete, Return from the
funeral; *258. C. Meunier, Tobacco-factory at Seville (1883); H. van
der Hecht, 366. Rainbow, 367. Marsh-land near Rotterdam; between
these, 418. EZ. Wauters, The Prior of the Augustine monastery to
which Hugo van der Goes (p. xlix) had retired in 1482 tries to cure
the painter's madness by means of music (1872); 257. C. Meunier,
Scene from the peasants’ revolt in Brabant in 1797 ; 34. A. Bouvier,
80); 312. J. Rosseels, Heath ; *409. A. Verwée, Pasture
; 334. A. Stevens, Salome; 55. J. Th. Coosemans,
Pine-woods in the Campine of Antwerp (1880).
Room XIV. On the left long-wall: 264. J. L. Montigny, Horses
in winter (1890); 24. Fr. Binjé, Landscape in the Ardennes; 4186.
Ch. Hermans, Daybreak in the capital (labourers proceeding to their
work, and a libertine returning from the ball; 1875); 19. Fr. Binjé,
Morning; Vict. Gilsoul, 174. Calm, 170. November evening. — On the
rear-wall: *208. J, de Lalaing, Primeval hunter (1885). — Right
long-wall : *63. Fr. Courtens, Milk-maid (1896); *206. B, Laermans,
Going home (‘le chemin du repos’; 1898); #398. Is. Verheyden, Wo-
man gathering wood; Fr. Courtens, 62. Returning from church, *64,
Avenue in sunlight (1898) ; *348. Al. Struys, Visiting the sick (4893);
378. I. van Leemputten, Palm Sunday in the Campine (1889). — In
the centre : 260. Ch. Meunier, St. Peter's Hospital at Louvain (1892).
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