114 Route 10. BRUSSELS. Royal Museums:

Old woman reading; 252. Is. Koedyck, Interior; 206. J. D. de Heem,
Abundance; 240. Jac. de Claeu, Still-life; *445. Jan Steen, The
‘Rederyker (i.e. rhetoricians or members of ‘Rederykamern’; these
were literary clubs well known in the 16th and 17th cent., which
celebrated public festivals by holding recitations and debates) ;
above, 342. Is. van Ostade (?), Travellers at an inn (4660); 404.
Rachel Ruysch, Flowers and fruit (1704); above, 47. F. Bol, Portrait;
356. E. van der Poel, Peasant interior; 339. Adr. van Ostade, The
herring-eater; 400. J. van Ruysdael (?), A glade; 341. Adr. van
Ostade, Village inn; 328. A. van der Neer, Conflagration at Dor-
drecht; above, *52. J. Both, Italian landscape; #220. Hobbema, Water-
mill; above, 46. F. Bol, Saskia van Uylenburg, wife of Rembrandt
(1634) ; #223. M. d’Hondecoeter, Cock crowing; 368, Rembrandt (),
Old lady; *36. Abr. van Beyeren, Still-life; above, G. Victors, Study
of animals; 670. B. van der Helst or Janssens van Ceulen, Portrait;
365. J. van Ravesteyn, Portrait; #196. Van Goyen, View of Dordrecht
(1644); #279. Nic. Maes, Old woman sleeping ; 302. Sal. van Ruysdael,
Ferry; 37. A. van Beyeren, Fish; 83. P. Moreelse, Portrait; 249.
Thom. de Keyser, Portrait (1636); 188. A. de Gelder, Old man offer-
ing a gift toa lady; 257. Ph. Koninck, Landscape; 153. G. Dou,
Portrait of himself by candle-light; *250, *251. Thom. de Keyser,
Portraits; 712. A. van der Neer, Conflagration; 446. Jan Steen,
Twelfth Night; above, 397. Jac. van Ruysdael, Landscape, with figures
by A. van de Velde; 753. Unknown Master, Portrait; 4. W. van Aelst,
Hunting equipment (1643); 344. A. Palamedesz, Portrait; 699. Jan
van Noordt, The little drummer; 674. P. Claesz, Breakfast-table
(1643); 530. J. Wynanis, River-scene; *202. Fr. Hals, Professor
J. Hoornebeek of Leyden (1645); *88. J. van de Cappelle, Calm sea;
*444. Jan Steen, The gallant offer; 696. G. Dow or Sal. Koninck,
The philosopher; 160. C. Dusart, Village-fair (4695); 643. J.
Weenix, Trophies of the chase; 447. Jan Steen, Operation; 704. A.
Rottenhammer (German school), Dance of Cupids; 340. A. van Ostade,
The Flemish trio; 544. J. Weenix, Dead cock; 686. H. M. Doncker,
Husband and wife in a park; 357. P. Potter, Swine (1647); 690.
P. de Hooch, Small full-length portrait; above, 283. Nic. Maes,
Portrait; 362. Pynacker, Stag-hunt; 222. M. d’Hondecoeter, Park-
entrance. — On easels: 779. Jan Olis, Backgammon-players; 776.
Jan van Kessel, Environs of Haarlem, — Returning to R. VIII. we
thence enter —

Room X (Salle des Primitifs; chiefly of the Netherlandish and
German Schools of the 15-46th cent.).— To the right: *684. Master
of Moulins (?), Madonna and Child with adoring angels; on either
side, 531, 532. Master of Flémalle, Portraits. — 105. Josse van Cleve,
Holy Family; 159. Master of the Sacred Kinship (Cologne), Cruci-
fixion; 540. Quinten Matsys, Madonna enthroned, with a prayer-book
in her hand, recalling the school of Bruges; above, 552, Roger van
der Weyden (?), Scenes from the life of the Virgin; 560. Corn,