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K 29612:[A,1,7b], Collectie Stad Antwerpen, Erfgoedbibliotheek Hendrik Conscience
Title | EHC_K29612_A_1_7b_2019_0042.tif |
Category | uit de bibliotheekcollecties van Erfgoedbibliotheek Hendrik Conscience |
Asset identification [ID] | https://dams.antwerpen.be/asset/KYWYQcKJshunrZSQY9neY0es#id |
Belgium and Holland: handbook for travellers |
Full text | An Historical Sketch of Art in the Netherlands. By Professor Springer. The traveller who would explore the Netherlands without tak- ing account of the Art Treasures still preserved there, heedlessly disregards a source of the highest ification. The collections in the cities, as well in Belgium asin Holland, can boast that they include Tere of the most remarkable creations of the art of a bygone period: works, moreover, which have not found their way hither by mere accident, but grow out of the very so to speak, of these Low Countries, and have their raison d’étre in the land, in those forms and fashions which to this day repeat themselves alike in the native landscape and in the habits of the people. How much more lively is the impression received from works of art when seen amidst their natural surroundings, is a matter of common and approved experience. Eyerything that is essentially characteristic in a picture, atmosphere and light, form, whether natural or otherwise, fashion and custom, present them- selves to the beholder. The sources of the artist’s inspiration, all that served to feed his fancy, are clearly manifest; while many a characteristic incident, which would otherwise escape observation or remain altogether unintelligible, receives its requisite inter- pretation. It is true that the esthetic value of individual pictures may be always in all places reco in St. Petersburg; Diirer’s inc evertheless the historical sig aan ance of Art, the necessary cause of her development, can be understood by those only who will explore the scenes which witnessed her life’s first daw n, particu- larly when lapse of time has failed materially to alter the character of such scenes. A distinction which the Netherlands enjoy in common with Italy consists in the opportunity afforded of obtaining the best possible insight into Ee mysterious quickening of the artistic spirit ; a comprehensive surve , too, of art’s earliest promise and maturity, and her ide entity with hs metioral life. That continuity and aan sidedness of national art, which in Italy is so pronounced, the Nether- lands do not, however, possess. Twice only — once in the 15th, and once in the 17th century — do they furnish remarkable material for the history of modern art. Earlier centuries reveal a poor art life, and the intervals between the two periods referred to fail to make soil, Dh A Titian is lustrous even e pencil asserts itself in Madrid. |
Last OCR | Last OCR 2020-09-02 01:23:07 |
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Acknowledgements | K 29612:[A,1,7b], Collectie Stad Antwerpen, Erfgoedbibliotheek Hendrik Conscience |
Source listing | Baedeker, Karl, Belgium and Holland: handbook for travellers, K 29612:[A,1,7b], Collectie Stad Antwerpen, Erfgoedbibliotheek Hendrik Conscience |