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K 29612:[a,1,11], Collectie Stad Antwerpen, Erfgoedbibliotheek Hendrik Conscience
Title | EHC_K29612_A_1_11_2019_0073.tif |
Category | uit de bibliotheekcollecties van Erfgoedbibliotheek Hendrik Conscience |
Asset identification [ID] | https://dams.antwerpen.be/asset/vhReJKMbak7RbotcT3l9toJR#id |
Full text | IN THE NETHERLANDS. Frans Hals, of Haarlem, a somewhat earlier painter, stands in much closer analogy h Rembrandt as founder of a school than eS ) aa e, he was born d to Haarlem is not ( yily as the event proved, for brought gomaster for ill- treating and had to promise to in for the future from ‘dronken- Of the of conviviality which he co so well depict thus got into difficulties which his prolific His goods and chattels were sold by auction 2 to pay d s, and he became in his old age a pensioner of the town. 36 f 86, his labours haying extended ove painting nown to us be ars the date of the St. fusket n the Museum of Haarlem, e of t are ers of the ‘Kloy of the St. George’s Guild (1639), are ] in pictures of the indi till apparent ng the ption, purity latest works betrays Rembrandt’s influe ling decade, w ist. Th ithout hoy vidua »f the a utmost vi € y of cor idth of execution, whic g that drawing is almost tinguishing characteristics of ni lost in a maze of colour Frans Hals, who, besi g ces’ referred to, was the author of numerous portraits; and he has immortalized such popu he ‘Rom ‘The tipsy old wife, Hille kK Jan Barentz’, ready either for a ce in the fleet with Admiral T romp His best known pup Adriaen Brouwer (b. at Oudenaarde, ca. 0 >), and Adriaen van Osta As we do not p ming the former of these, the stories told of him and t is his maste Bol > shoem<. drinking bout or for se 1605; dat Antwe rp 1610; died there, graphical data con fello by authors of t most formidable rival i national character, as w e 18th century. e conception of ll; and had he lived ) the na sllas in mere technic long enough to mature natural powers he must have borne away Adriaen van Ostade. In the lier efforts are reminded of Brouwer; it was after the , when the influence of Rembrandt ¥ in the ascendant with him, that he first displayed those the palm now cone of Ac year 1( en van Os 40, or ther about a8 technical qualities and artistic predilections which haye made him a favour- ite with the most fastidious connoi butes which the forms c his courtyard scen eurs. Grace and beauty are attri- ded into his cottage-interiors or animating ertainly do not possess; but they always abound in lusty life, characteristic and appropriate, whether playing cards, intent upon the enjoyment of pipe and gla 38, or dancing accompanied en sistas |
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Acknowledgements | K 29612:[a,1,11], Collectie Stad Antwerpen, Erfgoedbibliotheek Hendrik Conscience |
Source listing | Baedeker, Karl, Belgium and Holland, including the Grand-Duchy of Luxembourg: handbook for travellers, K 29612:[a,1,11], Collectie Stad Antwerpen, Erfgoedbibliotheek Hendrik Conscience |