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394 Route 43. AMSTERDAM. Ryks Museum:
company preparing to escort Queen- Dowager Maria de’ Medici(4638) ;
*924. Gov. Flinck, Capt. Bas’s company (1645); 14137. B. van der
Helst, Presidents of the Handboog-Doele (1655); 2316. Corn. Troost,
Inspectors of the Amsterdam Collegium Medicum (1724); 1527.
Jiirgen Ovens, Managers of the Oudezyds-Huiszitten-Huis; 540.
F. Bol, Managers of the Nieuwezyds-Huiszitten-Huis (1657). — We
now turn to the right into the first of the five rooms containing —
Cabinet Pieces (Nos. 249-215), mainly of the 17th century.
— Room 4 (249). To the left: 1664. Jan Mostaert, Adoration of
the Magi; 1448. J. Gossaert (Mabuse), Philip of Burgundy, Bishop
of Utrecht (?); 340. Flemish School of the 2nd Half of the 15th Cent-
ury, Our Lady of Mercy; 587. Hier. Busch, Quack extracting a stone
from a credulous patient’s head; 522. Herri met de Bles, Paradise;
6. P. Aertsen, Adoration of the Shepherds (part of an altar-piece from
the Nieuwe Kerk at Amsterdam, 1652); 724. J. C. van Oosizaan,
Portrait (4533). — Room 2 (248). To the left: #989 a. J. van Goyen,
River-scene (1641); 2202. K. Slabbaert, Saying grace; G. Terburg,
5741, 572. Pastor Van der Schalcke and his wife (1647), 573. Helena
van der Schalcke; 1660. P. Moreelse, The little princess; 752.
B. Cuyp, Joseph as an interpreter of dreams; 693. P. Claess, Break-
fast (1647); 1661. P. Mcreelse, The pretty shepherdess; 1724a.
A. van der Neer, Moonlit scene; Adr. Brouwer, *642. Brawling
peasants, *641. Peasants drinking, two early works of the period of
the master’s brilliant colouring; 1894. C. Poelenburg, Bathing
nymphs surprised; 1933. P. Quast, Village-barber; 1403. P. van
Laer, surnamed Bamboccio, The ford; 8141. H. Dubbels, Calm sea.
— Room 3 (217) contains most of the works purchased in 1907 from
the Six Collection (p. 377). To the left: 1228a. M. d’Hondecoeter,
Poultry (1686); 2444a. A. van de Velde, Rest (1664); 857a, 857b.
A. van Dyck, Portraits of Rubens and Casper Gevaerts, sketches
in grisaille; 385b. Jan Asselyn, The Colosseum at Rome; 473a.
N. Berchem, Italian landscape; **2528a. Jan Vermeer, The milk-
maid; 2609a J. Walscapelle, Fruit; 2073a. Jac. van Ruysdael, The
ford; 27419. Phil. Wouverman, Stable; 2553a. J. Victors, Green-
grocers shop (4654); *4656a. G. Metsu, Woman selling herrings;
“1816a. A. van Ostade, Skaters at an inn (1650); #4455a. Judith
Leyster, Li.te-player (4629). — Room 4 (246). To the left: #1944.
Paul Potter, Herdsmen and cattle (1654); **1094. Frans Hals, The
jovial toper, a very characteristic study (ca. 1625-30); 2707. Phil.
Wouverman, Brawling peasants, of a brownish tone (youthful work) ;
1359. Nic. Knupfer, Cincinnatus; *4082. Dirck Hals, Open-air party,
with 26 figures (one of the largest and at the same time one of the
finest works of this master, unusually brilliant in colour and at-
tractive); 1918. Pieter Potter, Straw-cutter; 822. Jac. Duck, Wine-
tasters; 593. Jan Both, Italian landscape, with ferry; “1455. Judith
Leyster, Jolly toper (1629); 1834. Ant. Palamedess, Social and
musical party; 453. J. A. Beerstraaten, Amsterdam in winter. — |
