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Mesdag Museum. THE HAGUE. 39. Route. 337
480. A. Mancini, Neapolitan woman. — 260. @. Michel, Windmills
at Montmartre: 86. Ch. Daubigny, The silver moon ; 156. Joz. Israéls,
Harp-player; 40. J. Bosboom, Synagogue ; 82. Ch. Daubigny, Land-
scape; 194. J. Maris, View in a town, 261. Michel, Landscape; 83.
Ch. Daubigny, Landscape by moonlight. — #304. Giovanni Segantini,
The two mothers (pastel); 237. Sientje Mesdag-van-Houten, Sheep-
fold; 218. A. Mauve, Donkeys on the beach at Scheveningen ; 485.
Mancini, The birthday. — 134. P. J. C. Gabriel, View of a polder ;
481. A. Mancini, Flower-girl.
Finsr Fuoon. In the ANTzRooM, drawings and water-colours by
H, W. Mesdag, Th. Rousseau, and Giovanni Segantini (805. Sheep). —
To the right opens —
Room I. To the right: #122. J. Dupré, Autumn scene; #263.
”. Millet, Mill at Barbizon; “4154. J. Israels, Alone in the world
(4875); 65. Corot, Rocky scene (1844); 222. H. W. Mesdag, Winter
at Scheveningen. — 66. Corot, Landscape by moonlight; *444.
Bug. Delacroix, Portrait of himself; #98, Ch. Daubigny, Wooded
; 316. C. Troyon, Haying; 78. G. Courbet, Portrait of him-
‘299. Th. Rousseau, The great oak. — 27. Chr.
Bisschop, Still-life; 155. Jos. Israéls, Study. — In the Conzmor
are Japanese bronzes, Satsuma ware, Persian tiles, and fayence from
Rozenburg (p. 317).
oom I. To the right: *290. Th. Rousseau, Pond; 164. Ch. Jaque,
Pig-sty. — 115. N. Diaz, Peonies; *264. J. F. Millet, Fisherman’s
wife; 51. H. Boulenger, Wood- cutters; *287. Th. Rousseau, ‘La
descente des vaches’ (original sketch; see below); 271. M. Munkdcsy,
The condemned; 446. N. Diaz, Forest of Fontainebleau; *108. Al.
Decamps, Poacher. — A. Mancini, 177. Italian image-seller, 183.
Choir- boy; #412. Eug. Delacroix, Evening of Waterloo; 198. M.
Maris, The cook (4872); 147. N. Diaz, Study; 96. Ch. Daubigny,
View of Villerville-sur- Mer (1872); 174. A. Mancini, The sick
landscap
self in convict’s dres
child (1875). — 58. Jules Breton, Harvest; #68. Corot, Evening;
*207. A. Mauve, In the stable (an early work); 182. Mancini, Study.
of the nude. —In the middle of the room are bronzes by Constantin
Meunier (Ecce Homo), Ch. van der Stappen (Wood-gatherer), and
others. — In the CorErpor are drawings and pastels by Millet (*266.
The return), Delacroix (113. Descent from the Cross), *Rousseau,
Daubigny, W. Maris, and J. H. Weissenbruch.
Room III. To the right: 124. J. Dupré, Storm on the coast. — 99.
Daubigny, Hay-cocks by moonlight; *286. Rousseau, ‘La descente
des vaches’ (cattle returning from the mountain-pastures in the Jura;
see above); 319. C. Troyon, Flock of sheep; 128. J. Dupré, Autumn-
scene, —44. J. Bosboom, Interior of a synagogue; *69. Corot, Clearing
in the wood; Courbet, 74, Girl sleeping, 72. Landscape; *70. Corot,
Villenenye-lés-Avignon; 3. Sir Alma Tadema, Boating-party; 74.
Corot, Landscape; 38. G. Bosboom, Church-interior ; *73. G. Courbet,
Still-life (apples); 119. N. Diaz, Scene in the Pyrenees.
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