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338 Route 39. THE HAGUE. Mesdag Museum.
SEconpD Froor. In the AnrERoom: 302. J. §. Sargent, Dervishes,
a sketch; H. W. Mesdag, 227. View of Scheveningen (study for the
Panorama, p. 335), 228. Harbour-works at Enkhuizen; 12, 43. D
A. Ariz, Two studies.
Room I. To the right: *293. Rousseau, ‘Massacre of the Inno-
cents’ (felled trees), painted in shades of brown. — 124. F. Duchastel,
Canal-scene; 42. J. Bosboom, Church-interior (sketch ); 208. A. Mauve,
The Ronewerd way; 34. B. J. Blommers, Fishe ardeitl, — *91. Dau-
bigny, Coast-scene by moonlight; #348, C. Troyon, Cow at pasture;
230. H.W. Mesdag, Sea-view at sunset; Dupré, 125, Landscape with
oaks ; 344. Troyon, Return from market. — We tum to the right into —
Room II. Mitlet, *268. Rest in the vineyard (pastel), #265. Still-
life; 320. Troyon, Autumn landscape with Beeps at pasture; 55. G.
H. Breitner, Cavalry-soldier in the dunes. — 133. P. J. C. Gabriel,
Roses; “114. N. Dias, Pond; #267. Millet, Hay-cocks; Diaz, 118.
Storm, 120. Study of the nude; 256. Mett tang, Portrait of a girl. —
200. M. Maris, Church-goers at Biickeburg; Ch. Jacque, 162. Land-
scape with oaks, 163. Pigs; 202. W. Maris, Milli’ tite:
Room Ill. To the right: 85. Daubigny, Moonlight-scene; *5. Sir
Alma Tadema, Fountain in the Boboli Garden at Florence 40 Us
A, Decamps, Napoleon at St. Helena; 89. Daubigny, Sunwed. 4.
Corot, Pond; 289. Rousseau, In the woods at Fontainebleau. — 110.
7k Decamps, Watch-dogs. — *262. Millet, Hagar and Ishmael (1867).
— 327. A. Vollon, Fish (4871). — 94. Daubigny, Riv er-scene ; 33°!
A, Vollon, View of a street; 97. Daubigny, Sheep; stien=
Lepage, Haying, § sketch for the picture in the Luxemboors Museum
at Paris (14877); 95. Daubigny, Evening -scene; 329. A. Vollon,
Still-life; 216. A. Mauve, On the dunes at Scheveningen; 270, A.
Monticelli, Rocky scene; *315. Troyon, Oattle at pasture; 214. Mauve,
Moor in Drenthe (with the figure of the painter Mesdag).
Room IY. To the right: 60. Corot, Landscape; 158. Joz. Israéls,
Washerwomen. — 282. W. Roelofs, At Voorschoten; 64. Corot,
Landscape; 77. Courbet, Landscape (‘Au bord du lac’); 275. L. G.
Ricard, Portrait; 84. Daubigny, Moonlight-scene; *75. G. Courbet,
Wooded landscape, with dead roebuck; 259. G. Michel, Windmill. —
85. Daubigny, Mouth of a river; *231. H. W. Mesdag, Sea-view by
moonlight.
Room VY. To the right: 284. W. Roelofs, Landscape; 197. M
Maris, The bride of the Church. — 272, A. Neuhuys, Cobbler; 138.
J. H. L. de Haas, Cow at pasture; *191. J. Maris, Fishermen of
Scheveningen. — 168. K. Klinkenberg, Hospital at The Hague;
ao ame Maris, Windmill at Scheyeningen; 4. Sir Alma Tadema,
The artist's second wife; 32. B. J. Blommers, Portrait of a child;
*46. J, Bosboom, Interior of a synagogue; 211. Mauve, Return from
the fish-auction.
An obelisk (1905) in the Regentesse-Plein (beyond PI. A, 2), 10 min. to
W., commemorates the regency of Queen Emma (1890- -98). |
