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Musée Moderne. BRUSSELS. 10. Route. 119
2
ves, Dream of Athaliah (1830). — The other walls are
i to the historical painters : 89. H. de Caisne, Belgium crown-
famous sons ( 839); N. de Keyser, 108. Taine Lipsius, 107.
Battle of W orringen in 12% 8 (Siegfried of Westerburg , Archbishop
of Cologne, standing before his onion , Duke John I. of Brabant
and Count Adolf of Berg; painted in 1839); 324. LZ. Slingeneyer,
Battle of Lepanto in 15714 (4848).
7
iF IL
v
TV; I L
VI Rotonde
g
orétlariat
ions particuliefres
x XI II
Iv xv
Boor Ill. To the left: F. de Braekeleer, (7. Distribution of fruit
‘le conte de mi-caréme’), 76. The golden wedding
39. E. Verboeckhoven , Flock of sheep in a thunderstorm
, Portrait of David. — 268. Navez, Portraits of
ane e fam nily a ey . J.B. Kindermans, Scene in the
ley (1848 ; fe Simonau, Organ-player (1828).
“WV. To the le ft . de Kny/f, Deserted gravel-pit. —
280. F. Pauwels, The widow of aes van Artevelde (p. 06) giving
up her jewels for the state (1860); 416. G. Wappers, (p. Ixxiii), Begi
ing of the Revolution of 1830 at the Hétel de Ville in Brussels (the
people tez aring up th 3 proclama 1 |
lands); 140. Th.
231. H. Leys, Res
Cathedral in 15 )3 72. E, de ane the Compromise, or Peti-
tion of the Netherlandish nobles in 4! 966 (1841). — 284. J.P. Portaels,
Box in the theatre at Budapest (1869). — 207. Vict. Lagye, The sor-
ceres Oe): #96. Ch. de Groux (P. Ixxiy), Pilzrimage of St. Guidon
1 ht; 404. Ch. Verlat, Shepherd’s dog struggling with an
eagle ( 12 Be ); 148. L. Gallait, Abdication of the Emperor Charles Y,
in 1555 (1841); #338. Jos. Stevens, Morning in the streets of Brus- |
